By way of explanation: I’ve more or less ignored this blog for nearly two years. That doesn’t mean I haven’t thought about it, beaten myself up for not writing something, or come close to posting something. I do have a good reason though. Since mid-2015 I have traveled across the country, interviewed more than 30 people, spent hours searching hundreds of papers in library archives, and written the beginning of a book that will tell the intimate life story of the late journalist Randy Shilts. So yes, I’ve been busy. But I’m also irritated that I haven’t written more of these posts along the way. So, I’m keeping a notebook now, and I even bought pencils and a sharpener. Old school! It feels genuinely good to write long-hand again. I recommend it for anyone who gets bogged down in word processing and the unending stream of social media ejaculations. (I’m using that word correctly. Look it up.) Below is the first of my scribbles.
I’ve thought a lot in the past day about 1984. The 1984 that I knew – through the eyes of a seven-year-old – involved dirt roads, dirt bikes, sheep pastures, teenage sisters, Reagan-Mondale, the Detroit Tigers in the World Series, and (unbeknownst to my parents) an underlying sexual confusion that would take another decade to reconcile. I can’t say for sure that these were happy times. The fights between my parents and oldest sister would certainly hint at a more complicated, stress-inducing dynamic. But that’s nothing compared to what came into focus today about Randy’s 1984: the headlines from the frontline of a battle, fraught with disease, deaths, false or misleading hopes, cynical political calculations, and misplaced self-interests.
It’s a simple set of tasks, an annual ritual that signifies the changing of seasons, a reconfiguration of habits, and the compression of our living space back into the modest square footage of our 1880s farmhouse. Still, every fall when we pack away our porch furniture and winterize the wraparound porch, it’s a reluctant exercise that we avoid for as long as possible. Some of the work, like picking up leaves in the front yard, is pleasantly autumnal. I’m alone with my thoughts while raking and vacuuming up the browns, yellows, oranges, and reds that have made our lawn an earthy carpet for the past few weeks.
Together, Jaxon and I hang sheets of plastic over the porch screens and tack in glass window panels (actually a massive supply of cabinet doors he found in Ikea’s as-is section several years ago), a move that closes in our cabin-like summer retreat but drastically reduces the edge from icy northern winds. Our summer porch bed- a cozy full-sized box spring and mattress that somehow holds two adult men, two grown dogs, and an occasional visit by the cat – will be leaned against the shingled inside wall until we bring it inside for use by holiday guests. The cabin, as we call it, will go dormant until springtime.
In eight years of homeownership, we’ve made these rituals into central markers of the passage of time. It’s not as as nostalgic as Thanksgiving (my Super Bowl for cooking the big feast) or Christmas (our lowkey day of dog park visiting, leftovers for lunch, napping, and homemade soup). But, wrapping the porch and putting away the yard furniture represents a ritual of work, anticipating the dark and frozen winter to come while looking forward to the days when we can walk outside in shirtsleeves and drop the top on Jaxon’s convertible. We do our work so that we can repeat the cycle, fulfilling the patterns we’ve established that keep us connected to our home. Read More
To get myself back in the habit of posting regular content, I’m adding some occasional work that comes from the past. The first of these is a spoken word piece from 2006.
Performed in August, 2006, as a guest artist for “Two Queers and a Chubby,” a spoken word entry in the Minnesota Fringe Festival.
This sounds funny to say out loud, and forgive me if I seem a bit embarrassed to admit it… but I think my “best friend” when I was a child was actually Doctor Who. Do you remember him? The British guy with the curly hair and the scarf! I am starting to think I wasn’t alone in this fascination, that for other young males who were lonely, awkward, and outcast, he was someone we could relate to and embrace. He was enigmatic, clever, outspoken, intelligent, and abhorred violence if he could avoid it. He traveled on his own, outside of society’s structures, a loner even to his own people. The companions who traveled with him were fond of him, but still even to them he was a bit of a mystery.
That was how childhood felt to me—the boy who was singled out for “using big words,” the smart fat kid whose most athletic extra-curricular activity was marching band. I was a child with many, many emotions, and few role models for how to really—authentically—express them. Did you see BrokeBack Mountain? Those men were about the age of my father, and they exemplified his generation of men—especially rural white men—to near perfection. So how, when you’re an imaginative, over-sensitive kid with a big vocabulary and few friends, do you learn to be who you really are, when all the men and boys around look at you like you’re speaking a different language completely from the English you think is pouring out of your throat? Read More
When I started running last spring, I could manage about 1/2 to 3/4 of a mile nonstop before I would pause to walk for a stretch. By late summer and early fall, I had pushed that distance up to a mile, maybe slightly more. In the spring, I steadily extended that distance to 1 and 1/2, then 1 and 3/4. It sort of hovered there for a while. My overall distance on runs is about 5 miles. I think I probably could have pushed myself further, faster. At each stage, though, I let myself hold steady for a while. I think it was psychologically comforting; at some level, I knew I could take a break at that benchmark and finish the full run in reasonably good time and condition. Two weeks ago, I ran around Lake Nokomis in South Minneapolis. Two laps equal just around five miles, maybe a pinch more. From my car on the nearby parkway, I jogged to the lake and circled once around. Lately, my usually stopping spot to walk has been about 1.7 miles, as I reach the Cedar Avenue Bridge. I kept going. I made it a full lap around the lake, and I kept going. I made it three miles when, just as I was contemplating a breather to walk, my phone rang. Good excuse. I stopped, walked, and talked for about four minutes, and then continued to run the rest of the way. It was my best time ever, best speed per mile, and by far the longest I had run uninterrupted.
That breakthrough came exactly two days after my dissertation defense. As any good researcher will tell you, correlation does not equal causation, but I like thinking that my newfound endurance was symbolic of a burden lifted, setting my legs free to stumble further than they’d taken me before. As a closing image on these last five years of my life, it offers a certain optimism, albeit drenched in sweat and punctuated by my gasps for air. Read More
Armistead Maupin’s Tales of the City brought my first real attraction to San Francisco. Although still a couple years away from coming out, as a rural Midwestern teen in the early 1990s I sensed something about that miniseries—aside from curiosity about gay culture of the 70s— which drew me to a city that I had never visited. Its vibrancy, its colors, its characters, brought to life so vividly by Maupin, told me that there was a place for people who were different, who were not satisfied with settling into comfortable patterns and routines, who asked questions to which mainstream America offered few easy answers, and who found friendship and kinship with fellow travelers that wondered and wandered in their own spirited ways. When I finally came out, my 17 year-old mind devoured those six novels. I shared them with my new gay friends, and we chattered like only gay teens can about which character we each were—Mary Ann? Michael Tolliver? Mona? As fans of the Tales series know well, Armistead’s stories (always complicated, filled with compelling characters and delicious plot twists) grew more world-weary as the 1980s dragged on, as needless death and grief filled the Castro and a movement began to act up, screaming in outrage at a country (and its government) that didn’t seem to notice or care. In my half-dozen visits to San Francisco since 1996, I’d say I’ve become less fascinated and more familiar, but nothing has diminished my affection for the city. Touching ground in San Francisco means touching history for me, and again I am struck by how much of that story (which emanates out to touch so many people in the world) remains to be considered and shared.
Tonight, I will take a redeye flight back to Minneapolis after nearly two productive weeks. In the year since I last came and studied Randy Shilts’ papers, I wasn’t able to do much on the project except briefly meet his brothers and correspond with his closest associates. But, it’s an understatement to say that I’ve gone cold on the research. I allowed myself this extended time around Spring Break with the promise that I would make sufficient progress on the dissertation over the winter. When I get back, the dissertation goes on the front burner. In the meantime, I spent several productive days in two wonderful archives, the James C. Hormel Collection at the San Francisco Public Library, and the GLBT Historical Society. At one point during my stay at SFPL, I looked behind me to see the busts of Harvey Milk and George Moscone smiling across the room (which I will take as tacit approval for my ambitions). Right now, it’s safe to estimate that I’ve examined several hundred, if not thousands of pages of Randy’s papers, from diaries to personal correspondences, college papers, poetry, clippings, drafts, reviews, criticisms, and even his last will and testament. Read More
Jaxon and I seem to have a pattern to our holiday watching, as movie #2 was exactly the same this year as two years ago. This week it was another beauty from the World War II era, starring Barbara Stanwyck on a farm that looks eerily similar to Bing Crosby’s digs in “Holiday Inn.” A redress of the set? I don’t know, but it wouldn’t surprise me!
Classic Holiday Movie #2: Christmas in Connecticut
Does anyone know why they used to release Christmas movies in August…? Anyway, it’s a cute romp and stomp around the grand old American notion that deception and fake matrimony (not to mention childrearing and cooking) make the holidays much more interesting. Although Barbara projects cool confidence and quick thinking even in the most uncomfortable moments, ultimately I have a soft spot for Uncle Felix.
Seems like a good time to repost this. We actually re-watched this movie a couple weeks ago when the first winter storm hit. I remember I used to laugh at this depiction of Minnesota in November– snowbanks and ice fishing before Thanksgiving?? Right!!
Jaxon and I have a collection of old movies (mostly VHS) that we always dust off and watch during the holiday season. So far we’ve made it through two of them. I’ll post a classic clip each time we see another one. Got any seasonal favorites of your own? Feel free to make suggestions!
Classic Holiday Movie #1: Grumpy Old Men (1993)
I feel unsettled, not necessarily by anything occurring around me, but by the amount of time I let pass before deciding to write something new for the blog. Part of my purpose in creating this space was to challenge myself to keep up on my writing and reflections, even as I have managed the multiplicity of tasks surrounding my Ph.D. work. It’s been easier said than done. I last wrote a piece in June, not far removed from a winter season that seemed to drag me (and everyone around me) into the depths of a frozen ennui. Today – heh – Jaxon and I could barely bring ourselves to walk the dogs on this frigid November Monday, when I can’t help but wonder if summer really happened.
Yet, I know it did. On multiple occasions, I meant to write about some key occurrences, each hitting an existential note in some way. To sum up: Read More